1. He got his start on the film:Butcher Boy also working in theatre with his parents. His family and vaudeville influenced his development by Buster being pushed around and not getting anything from his work he grew up with the attitude of you fall hard, you get right back up; the girl doesn't love you, do what you can and wait until she does.
2. What is unique about Keaton's comedy is his type of comedy is realistic,conceptual humor that is rather difficult to describe in words.
3. The writer compares Keaton to Chaplin as Keaton's films dull, preferring Chaplin's flash, his easy laughs and unearned tears,but Keaton is definitely the more realistic of the two; when he kicks a villain in the ass, as Chaplin did constantly, his foot gets hurt.
4. Keaton's career ended at a low or normal,after all his big films he turned up in bit roles and eventually television sustained him financially
Wednesday, September 30, 2009
Friday, September 25, 2009
Research/Quotes on Modern Times & Metropolis
Modern Times
Ebert on Modern Times:
1. His name is enshrined among the greatest geniuses of film; the French have a movie magazine titled simply Charlie, and Vachel Lindsay said a long time ago, "The cinema IS Chaplin."
2. "Modern Times" was Charlie's first film after five years of hibernation in the 1930s. He didn't much like talkies, and despite the introduction of sound in 1927, his "City Lights" (1931) was defiantly silent.
3. With "Modern Times," a fable about (among other things) automation, assembly lines and the enslaving of man by machines, he hit upon an effective way to introduce sound without disturbing his comedy of pantomime: The voices in the movie are channeled through other media.
Wiki on Modern Times:
4. Modern Times was deemed "culturally significant" by the Library of Congress in 1989, and selected for preservation in the United States National Film Industry
Metropolis
Ebert on Modern Times:
1. The movie has a plot that defies common sense, but its very discontinuity is a strength. It makes "Metropolis" hallucinatory--a nightmare without the reassurance of a steadying story line. Few films have ever been more visually exhilarating.
2. Generally considered the first great science-fiction film, "Metropolis'' (1926) fixed for the rest of the century the image of a futuristic city as a hell of scientific progress and human despair.
3. From this film, in various ways, descended not only "Dark City'' but "Blade Runner,'' "The Fifth Element,'' "Alphaville,'' "Escape From L.A.,'' "Gattaca,'' and Batman's Gotham City.
4. What many of these movies have in common is a loner hero who discovers the inner workings of the future society, penetrating the system that would control the population. Even Batman's villains are the descendants of Rotwang, giggling as they pull the levels that will enforce their will. The buried message is powerful: Science and industry will become the weapons of demagogues.
5. Lang filmed for nearly a year, driven by obsession, often cruel to his colleagues, a perfectionist madman, and the result is one of those seminal films without which the others cannot be fully appreciated.
6. "Metropolis'' does what many great films do, creating a time, place and characters so striking that they become part of our arsenal of images for imagining the world.
Ebert on Modern Times:
1. His name is enshrined among the greatest geniuses of film; the French have a movie magazine titled simply Charlie, and Vachel Lindsay said a long time ago, "The cinema IS Chaplin."
2. "Modern Times" was Charlie's first film after five years of hibernation in the 1930s. He didn't much like talkies, and despite the introduction of sound in 1927, his "City Lights" (1931) was defiantly silent.
3. With "Modern Times," a fable about (among other things) automation, assembly lines and the enslaving of man by machines, he hit upon an effective way to introduce sound without disturbing his comedy of pantomime: The voices in the movie are channeled through other media.
Wiki on Modern Times:
4. Modern Times was deemed "culturally significant" by the Library of Congress in 1989, and selected for preservation in the United States National Film Industry
Metropolis
Ebert on Modern Times:
1. The movie has a plot that defies common sense, but its very discontinuity is a strength. It makes "Metropolis" hallucinatory--a nightmare without the reassurance of a steadying story line. Few films have ever been more visually exhilarating.
2. Generally considered the first great science-fiction film, "Metropolis'' (1926) fixed for the rest of the century the image of a futuristic city as a hell of scientific progress and human despair.
3. From this film, in various ways, descended not only "Dark City'' but "Blade Runner,'' "The Fifth Element,'' "Alphaville,'' "Escape From L.A.,'' "Gattaca,'' and Batman's Gotham City.
4. What many of these movies have in common is a loner hero who discovers the inner workings of the future society, penetrating the system that would control the population. Even Batman's villains are the descendants of Rotwang, giggling as they pull the levels that will enforce their will. The buried message is powerful: Science and industry will become the weapons of demagogues.
5. Lang filmed for nearly a year, driven by obsession, often cruel to his colleagues, a perfectionist madman, and the result is one of those seminal films without which the others cannot be fully appreciated.
6. "Metropolis'' does what many great films do, creating a time, place and characters so striking that they become part of our arsenal of images for imagining the world.
Parallel Sequencing
In Modern Times and Metropolis both films show the outcome of the movie in an almost tragic loss,but in the end they have what they were pursuing throughout the film which is "the girl". In the end of Modern Times the "Tramp" and the "Gamin"are stranded without a home and they talk about how they went through so many ups and downs but also discuss that everything well come out good. Thus they leave happy knowing they have each other and that's good enough. In Metropolis in the end it looks like they make it seem like they are burning Maria, Freder is in disbelief thinking it is Maria but then it turns out to be the "Robot Maria" and then everything turns out good, from there Freder has to rescue the real Maria from "Rotwang"(evil scientist). Just like in Modern Times Freder gets the girl in the end,through certain obstacles in the way.
Thursday, September 24, 2009
Integrated Comparison of Metropolis, Modern Times
Some similarities between "Metropolis" and "Modern Times" are the title cards,the usage of them in particular scenes or parts of the movie for instance,when the sound of the music cannot explain what is going on they standby and show the cards to show something important. Another similarity is the main character's both have interests in a woman who they both want,in Metropolis Freder loves Maria then she turns into a robot and he is in pursuit of her through out the film. In Modern Times the tramp,all he wants is the "Gamin" and a successful life but always seems to find trouble. A difference in both of the movies is the type of movie they are like metropolis is a science fiction movie and modern times is a comedy. All in all, these are some comparisons and differences between metropolis and modern times.
Tuesday, September 22, 2009
Stars Wars and D.W Griffith
One film technique that George Lucas used is longshot. It compares with D.W Griffith by George Lucas using his techniques as like a stepping stone,where he got some of his ideas from.
Thursday, September 17, 2009
Comedy
My favorite comedy movie would probably be "Hot Rod." The kind of comedy I like is just comedy I guess. Physical comedies are good "Ace Ventura" is a classic and all of Jim Carey's movies are good. British comedies not too sure about never really seen much of those. Comedies with stunts are pretty funny but sometimes they over exaggerate and take it to far. not to sure about teen comedies. Funny to me varies,don't really have an explanation to it.
Tuesday, September 15, 2009
Favorite Movie in the Last Month
My favorite movie from last month would have to be "Last House on the Left." The lighting it used varied some scenes they used light colors to show "hope" but for the most part it was a suspenseful movie with dark lighting to show the horror of the killings. To compare "Last house on the Left" to German Expressionism it would be the lighting the way they use certain scenes for certain lighting (ex. like dark lighting would signal something bad or suspenseful through the scene). It did use chiaroscuro lighting especially to focus on someone. The sets varied from big to small like from forest to house. Yes it filmed on location. The acting was good very straight forward on how the actors portrayed there characters.
Tuesday, September 8, 2009
Science Fiction
Some science-fiction movies I have seen are 28 days later,resident evil,star wars 1-6,time machine, and I am legend.some charecteristics of the genre are they are not real and really are an extension of your imagination and what you want it to be usually crazy and things you would usually not see/think of,like robots or zombies.
9-8-09 Q's from Beowulf Pt.1 Notes
I relatively got the concept of part one to Beowulf so I have no questions. Well the breakdown to the story so far is king Hrothgar asked Beowulf to come to his island and fight the monster "Grendel". Beowulf Waits in Herot(golden guest hall) for Grendel to arrive,Grendel arrives and Beowulf and Grendel clash,they struggle back and forth until Beowulf tears one of Grendel's arm with his bare hands off thus Grendel gets scared and realizes he has never met an opponent this feirce/strong so Grendel retreats to his foul mere(mountain lake). Beowulf hangs the arm over the rafters,but then Grendels mother comes to avenge her son,she attacks some soldiers and takes the arm all while Beowulf is asleep. King Hrothgar asks Beowulf for one more task and that is to defeat Grendels mother,Beowulf goes to the mere with some weapons and jumps in,he is falling into the world of Grendels mother and eventually reaches her they clash,Beowulf realizes that his weapons are of no use. Grendels mother gets Beowulf pinned down and for a moment it seems like Beowulf has met his end but,he is wearing a mail shirt and her claws can't penetrate it,Beowulf eventually sees a giant sword on the wall he grabs it and with one strike to the neck he defeats her. Beowulf then sees Grendel in a corner and finishes him off for good to finally end the whole situation.
Wednesday, September 2, 2009
German Expressionism
I think "german expressionism" is a creative movement in Germany before WWI during 1920's,German filmmakers used media including(theatre,architecture,music,painting,and sculpture).
Some famous films are
"The Cabinet of Dr. Caligari","Nosferatu" and maybe "Metropolis".
Some famous films are
"The Cabinet of Dr. Caligari","Nosferatu" and maybe "Metropolis".
Film Innovations Up 2 This Point
Top pic
Directer:Sergei Eisenstien
Film Name:BattleShip Potemkin
This piece of art is important in the development of film by it being based on real events and it being technically impressive (masses of extras,use of ships and cities) capturing chaos.
Middle pic
Directer:Georges Meiles
Film Name:Voyage to the Moon
This piece of art is important in the development of film by it kind of being the first
science-fiction film and it was a short film
Bottom pic
Directer(s):Auguste & Louis Lumiere
Film Name:The Arrival of a Train at La Ciotat
This piece of art is important in the development of film by it being one of the first ever "films" or opening the door for them
Directer:Sergei Eisenstien
Film Name:BattleShip Potemkin
This piece of art is important in the development of film by it being based on real events and it being technically impressive (masses of extras,use of ships and cities) capturing chaos.
Middle pic
Directer:Georges Meiles
Film Name:Voyage to the Moon
This piece of art is important in the development of film by it kind of being the first
science-fiction film and it was a short film
Bottom pic
Directer(s):Auguste & Louis Lumiere
Film Name:The Arrival of a Train at La Ciotat
This piece of art is important in the development of film by it being one of the first ever "films" or opening the door for them
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